Yo La Tengo celebrates 25th year with its newest album Popular Songs
:: Yo La Tengo ::
:: with Cheap Time ::
:: Ogden Theatre ::
:: October 10 ::
By Timothy Dwenger
Twenty-five years ago it was 1984. Ronald Reagan defeated Walter Mondale in the presidential election, Transformers first appeared as a Saturday morning cartoon, Michael Jackson won eight Grammy awards, and somewhere in the small town of Hoboken, New Jersey, the husband and wife duo of Ira Kaplan and Georgia Hubley formed Yo La Tengo.
Since then, the pair has released 12 proper studio albums and a host of other material that ranges from film scores to a covers album they released earlier this year under the name Condo Fucks. While Kaplan and Hubley have remained constants in the band since its inception, the band did not find its third permanent member, James McNew, until 1991.
“I joined as a temp worker, basically,” McNew said in a recent interview with The Marquee. “I signed on for a short trip through the Midwest and then a three week tour in Europe. I was 22, it was in the spring and summer of ’91, and it was amazing. I used to go see them, I bought all their records, and then all of a sudden that line between fantasy and reality took a beating and I was, like, ‘Wow, here I am on the other side. I am involved in the creation of songs by this band I really like.’ I wanted to help write new songs and contribute ideas but also at the same time I didn’t want to fuck it up!”
As a result of this somewhat star-struck feeling, it took some time for McNew to find his footing in the band and to really begin to contribute to the creative process. While he was involved in the recording of the Yo La Tengo albums May I Sing With Me and Painful, both records were primarily made up of material that Kaplan and Hubley had written before McNew was on the scene. It wasn’t until after the touring for Painful had subsided in 1994 that he really became involved in the band’s writing process.
“We basically just started practicing and playing every day for the fun of it. We’d make up songs and jam without any real goal as far as rehearsing for gigs, or learning cover songs for tours. We’d just sort of mess around,” McNew said. “Through those practices and jam sessions we started coming up with ideas for songs as the three of us, and basically that’s the songwriting method, or lack of method, that we have been using ever since. We write as a band. The three of us come up with these ideas together. It takes a long time and it certainly isn’t as efficient as writing at home and then going to practice and teaching the band how the new Yo La Tengo song goes, but it is a very exciting and, I think, unusual way of writing songs. But that’s how it happens.”
Apparently, it is still how it happens. Whether the group is writing songs for a new record, or for some of the soundtrack work they have been doing over the past several years, they are almost always writing in their Hoboken, New Jersey practice space. In fact, for the first time, they recently recorded a full Yo La Tengo album in that same space. “We have been doing a lot of movie soundtracks in the last couple of years and we have been recording them ourselves on a little recording setup that we have in our practice room. We really like the sound of the room and we are really comfortable there,” McNew said. “When it came time to make this record we asked Roger Moutenot if he would be interested in throwing some of his equipment in the back of his car and driving up to stay with us for a while. It was just the four of us constantly moving microphones and wrapping cables and it was really exciting to find out that we could make a proper album that way. It really opened our eyes.”
The result, Popular Songs, is a remarkable album that provides the casual fan with a window into the soul of the Yo La Tengo catalog. It sinks its teeth into the listener with the darkly orchestrated indie-pop of the lead track on the album, “Here To Fall,” before dropping the beat all the way to heroin slow for the Hubley-sung “By Two’s.” “If It’s True” bounces along in the style of an early ’60s bubble gum pop song and before you know it the album has reached track 10 of 12 and it isn’t even half over. The last three songs clock in just shy of 38 minutes and run the gamut from the experimental ambient sounds of “The Fireside” to the 16 minute, Sonic Youth-esque, noise-rock marathon “And The Glitter Is Gone,” which closes the album.
The album entered the Billboard chart at number 58, the highest entry of the band’s career thus far, maybe due to the optimistic title Popular Songs, a far cry from Yo La Tengo’s more obscure album titles, such as 2006’s I Am Not Afraid of You and I will Beat Your Ass, 2000’s And Then Nothing Turned Itself Inside Out, and 1987’s New Wave Hot Dogs. But, then again, the band has always played with names, including their own.
According to lore (and the band’s wikipedia page) their name “Yo La Tengo” (Spanish for “I’ve got it!”) came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and (Venezuelan) shortstop Elio Chacón found themselves heading for the same fly ball in the outfield — an event which happened often enough that the players had to learn each other’s native languages to communicate with one another.
When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. But, in this particular game in 1962, Ashburn happily saw Chacón backing off so he relaxed and positioned himself to catch the ball, but was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the heck is a Yellow Tango?” Somehow, all of that translated to a funny story and apropos name that stuck with Kaplan enough to name his band after it.
But, weird names or not, what the band makes perfectly clear with Popular Songs is that 25 years down the road from their inception they are still going strong and producing some of the most creative material of their storied career. Who would have thought at this point we would have our first African American President, that Transformers would be a blockbuster, multi-million dollar film franchise, and Michael Jackson would have passed away at the age of 50.
It is funny how time seems to affect some things so strongly, while it leaves others to mellow with grace.
:: Yo La Tengo ::
:: with Cheap Time ::
:: Ogden Theatre ::
:: October 10 ::
Recommended if you Like:
• Luna
• Pavement
• Sonic Youth
